The late 19th century witnessed a sudden divergence in how sculptors approached fallen or grieving angels. Some aimed for theological horror, others for romantic tragedy.
| Monument & Location | Sculptor & Date | Material & Style | Primary Visual Motifs |
|---|---|---|---|
| El Ángel CaídoMadrid, Spain | Ricardo Bellver1877, 1885 | Cast bronze on granite; Neoclassical/Romantic | Serpent constriction, scream of agony, twisted wings |
| Le génie du malLiège, Belgium | Guillaume Geefs1848 | White Carrara marble; Gothic public monument | Bat wings, iron shackle, forbidden fruit, furrowed brow |
| Angel of GriefRome, Italy | William Wetmore Story1894 | Carved marble; Cemetery stone carving | Collapsed posture, dropped flowers, wing-draped altar |